Quiet Talk-15 PC Load in Recognition and Orchestration of Music Scores

Recognition of musical scores
 I am currently having my teacher give me remote lessons on Elgar's Cellocon, and in between, I have begun to gradually work on Schumann's Cello Concerto in A minor, Op. 129. This piece is said to be one of the three great cello concertos along with Dvorak and Haydn (No. 2). Naturally, it is a piece that requires a very high level of technique, which I cannot play with my own cello ability. So, I decided to type it in, but for some reason, I could not find the original midi file on the net at all. So, for the first time in a long time, I decided to "midi-digitize" the music from the score.

 Many sheet music is now available in PDF format, so there is no need to start by scanning paper scores. However, the recognition accuracy of converting PDF to midi varies considerably from software to software. I use KAWAI'sScoreMakerI am using the "Midi" and I think the recognition accuracy is quite excellent. After conversion, you can output midi. It would be easier to correct recognition errors before outputting midi.

2. PC load in orchestration
 Now, Elgar's cello concerto required 24 tracks, while Schumann's was 18. Until now, I had no problem with less than 10 tracks at most, but when I started up 24 tracks at once, my PC started to run out of steam. So, I decided to use the "Vienna ensemble pro 7"We have decided to introduce the

 This software is started up as a "server" at the same time, and the sound sources that have been loaded on the DAW are installed on this server. This will reduce the load on the DAW. Furthermore, the server can be located not only on the same PC, but also on other PCs on the network. Therefore, if the server is connected to the main unit via LAN as a "sound source-only computer" with the sound source installed, you can play without worrying about the load on the PC.  This eliminates all problems and makes effective use of unused PCs.