It took quite a bit of time, but as a result of my review, I have finally completed Beethoven's final piano sonata, No. 32.
I entered the world of DTM to try my hand at Beethoven's Piano Sonata, but I was unable to create the sound I wanted on a technical level.... I was also faced with the problem of my low level of musical ability. Fortunately, I found a good teacher and learned music theory little by little! On the other hand, I gradually began to understand how to produce the sound I wanted, albeit from a technical standpoint. In the midst of all this, I was first to tackle No. 32, which my teacher was going to play in a recital. That was about five years ago. After that, I reviewed it once about three years ago, and this is the second time I'm reviewing it.
It took more than four months for my teacher to work on it in earnest, didn't it? Aside from No. 29, this No. 32 seems to be one of the most difficult pieces in terms of both technique and interpretation. The biggest challenge is how to play the wonderful contrast between the first movement in C minor and the second movement in C major. The second movement, the beginning of the theme, was also a challenge. How to interpret "Adagio molt semplice e cantabile" at the beginning of the second movement, and how to connect it with the previous movement. If I simply typed it in a slow and relaxed manner, it would sound somewhat flat, and I had a lot of trouble giving it a flavor.previous workI believe that the level of production has reached a much higher level compared to the
Title: Piano Sonata No. 32 in C-minor Op.111
Sound Source: Vienna Synchron Concert D-274
Audio file format: mp3 (if you want to listen directly on your PC)reference(Please)
YouTube: Beethoven Piano Sonata No.32 Rev.2