Digitally Performed Classical Music

　This is the first movement of Beethoven's Violin Sonata No. 9, the so-called "Kreutzer". 　It was composed around the same time as the piano sonata masterpiece "Waldstein" was composed.　This piece is said to be the masterpiece of the violin sonata, but it was composed at the same time as the piano and ba...

　　　　　This is a picture of how DTM (Desktop Music) works.　The display on the right is the DAW (Digital Audio Workstation) screen, which corresponds to a piano keyboard and inputs the basic behavior of the notes.　The left display shows the various sound sources (piano, strings, etc.)...

　No. 23, also known as "Passion".　It is said to be one of Beethoven's masterpieces of the middle period of his piano sonatas.　The range of the piano is much wider (68 keys made by Erard), and the effect of the piano is said to have been used very well in the composition.　However, the octave "Do" in the third movement 310, bar 312, and the third...

　When I started typing Beethoven's piano sonatas, I downloaded the scores from IMSLP, a free download site, and printed them out for use.　However, there were occasional discrepancies between my scores and my teacher's comments.　In the course of our correspondence, I learned that it was the score I was using...

　　Happy New Year!　I wish you a peaceful new year! I've been thinking about what pieces I'm going to play this year: 1. Beethoven's piano sonatas - newly composed No. 23 "Passion", No. 26 (Farewell), and my longed-for No. 29 "Han...

　How about Mozart?　My teacher recommended that I type Fantasy in D minor K.397.　This little piece is a masterpiece that is often played in concerts, but it is actually famous for being "unfinished".　Mozart envisioned a much larger work...

　I've started studying to see if it's time to go for No. 29 ("Hammerklavier").　I have been reading various literature little by little, and I have come to realize that it is extremely difficult even for pianists.　It seems that even professionals have a hard time with this piece.　Therefore, I am wondering if there are any con...

　When I type in my own way or listen repeatedly to the pieces from around No. 28 to the last period, No. 32, I find them differently appealing compared to the earlier pieces.　There are certainly some great songs before that time, and I can feel the talent emanating from them.　But apparently, for me now, they all seem to be...

　Finally, we got to the point where number 28 was "just fine". This time it took me more than 7 months.　The recital was postponed for a year due to the Corona earthquake, so I was able to take my time and have a lot of lessons during that time.　Next...

　I reviewed the areas of concern in #31.　The main points are the correction of the legato part and the dina mique.　I think the most important point is whether the third movement is well drawn or not.　It's the interaction between the two "Klagender Gesang" and the fugue...