It took a long time, but I managed to finish the song I had longed for.
Schubart's Arpeggione Sonata is a tasteful and beautiful piece that sometimes makes me want to listen to it irresistibly. It has already fallen into disuse.Music for six-string arpeggioneHowever, it seems to be very difficult to play it on a four-stringed cello. I gave up when I saw the score myself. But with DTM, I decided to type it up. I think this piece is supported by the harmony progression of the piano, which makes the cello's wonderful melody come alive. My teacher gave me a lot of comments on how to play this piano.
Now, one more thing that I thought "I see" in this typing is about the cello tuning. The teacher did not like the pitch of some of the semitone "cid" trills in the first movement. He commented, "It doesn't sound very clean. Well, the pitch should be the same as the sound source.... After a while of thinking about it, I realized that the pitch of this sound source is the average pitch. I usually tune A at 442Hz and then D, G, C, and so on at each overtone. I don't have a great ear, so I don't think it's perfect, but it is tuned in perfect fifths. In other words, the open strings are tuned in fifths, which is the Pythagorean tuning. Therefore, I think I subconsciously find a position where notes other than the open strings resonate easily with the open strings and hold them.
If this is fixed exactly in the average, the feeling will be somewhat different. In particular, the interval of the sid will become larger (the sid will become lower). （So, I raised the pitch of the "sisu" in the sound source to Pythagoras-like and got an OK. I had not paid any attention to the pitch of the cello when practicing on the live cello, but when I used the sound source to play the cello, it became a problem... It's a natural thing to think about, but it's very interesting.
Title: Arpeggione Sonata, D.821
Sound Source: Emotional Cello(cello),Vienna Synchron Concert D-274(Piano)
Audio file format: mp3
YouTube:Schubert Arpeggione Sonata