DTM Considerations- category -

ストリング系物理音源　SWAMにv.3.10でIR（Impulse Response）が追加されたようですので、自分なりに調べてみたことをPart 2として書いておきたいと思います。　間違っているところなどありましたらどうぞご指摘ください。 1．SWAM の設計と従来の仕組み（...

　The physical sound sources I will be discussing here are Audio Modeling's SWAM Strings and Sample Modeling's Solo, Chamber & Ensemble Strings (hereafter referred to as SCES). 　In between playing Beethoven's Piano Sonata, I have been considering various ways to play strings...

　In fact, there is one area where I had difficulty in typing Beethoven's Piano Sonata No. 8 "Pathetique".　That is the execution of "fp" that follows the opening chord. 　Piano Sonata No. 8 was composed between 1797 and 1798, and the pia...

　I spent until last year inputting Beethoven’s piano sonatas up to the final 32nd one..　And from this year, I decided to work on No. 8 and No. 14, which I had not played before.　I started with No. 8, "Pathetique.　It seems to have been written when he was less than 30 years old, and it was in his later years....

　I'm currently typing Beethoven's Piano Sonata No. 8 (Pathetique), but before proceeding, I did a sound source comparison on this piece as well.　The pinoteq is indeed PC-computed and pronounced...

　Now, my teacher commented that he was concerned about the attack strength of Bach's Goldberg Variations when he was typing the aria.　I have heard this comment from time to time when I was playing Beethoven's Piano Sonata, and I tried to deal with it in various ways, but...

　This is a piano version of Bach's Goldberg Variations "Aria".　I have been typing for string trio and harpsichord, but finally arrived at piano.　At first, I tried to type it on piano, but it was difficult to handle polyphony...

　The original title of the Goldberg Variations is "Aria and Various Variations for Clavicembalo with 2-step keyboard".　This time, I decided to play the theme aria on harpsichord. 　Nowadays, since Glengrood, most of the arias are probably played on the piano...

　I managed to type the aria from the Goldberg Variations.　I realized that a string trio is much more difficult than I had thought.　While playing, I felt that unless each soloist's sound blended well with each other, there would be no music at all...

　I am currently playing Schumann's cello concerto, and as usual, I am having trouble adjusting the delay in the rise of the string sound source.　Even though I have played the notes according to the grid, the rise of each note is off the grid and slowed down...