Small Talk- category -

　Listen to it first in the Audio Player at the bottom.　A German friend of mine who I worked with for a long time is turning 70.　He asked me to send him a short message video to be played at his party.　I typed this Beetho for the background music...

　I asked the teacher to listen to the audio file of all the movements of No. 29 that I had typed. 　The teacher commented, "As for the order in which to begin, I think it is best to go in the order of difficulty in embodying the structure of the piece: third, fourth, first, and second.　The third movement is the most difficult. And if you can't do that, the 3rd...

　I am currently working on Beethoven's Cello Sonata No. 3.　Since I have already typed Kreutzer, I decided to work on a cello version of Kreutzer's Sonata No. 3.　　　This piece is said to be a revolutionary cello sonata.　Kreutzer is a bi...

　A copyright infringement warning was issued for Beethoven's Piano Sonata No. 21, which I posted on YouTube earlier. (see below) This is the third time.　Each time, I have filed an objection and had the warning lifted.　This time, too, the warning was issued on the grounds that the music was "typed by midi editor using a DAW...

　I have finished checking the midi files for all the movements of "Hammerklavier," which I have newly started working on.　I'm almost done with correcting the mis-touches and the sound movement, so now it's time to start working on the music. 　While checking the notes one by one, I thought...

　I decided to try to type the Prelude from Bach's Suite No. 2 for Unaccompanied Cello, which I am just now reviewing.　Interestingly, when I was reviewing the score in detail with this intention, I began to see new sound structures that I had not paid attention to when I was simply practicing...

　This is a picture (below) of how DTM (Desktop Music) works.　The display on the right is a DAW (Digital Audio Workstation) screen, which corresponds to a piano keyboard and inputs the basic behavior of the notes.　The left display shows the sound quality of the various sound sources (piano, strings, etc.)...

　When I started typing Beethoven's piano sonatas, I downloaded the scores from IMSLP, a free download site, and printed them out for use.　However, there were occasional discrepancies between my scores and my teacher's comments.　In the course of our correspondence, I learned that it was the score I was using...

　I've started studying to see if it's time to go for No. 29 ("Hammerklavier").　I have been reading various literature little by little, and I have come to realize that it is extremely difficult even for pianists.　It seems that even professionals have a hard time with this piece.　Therefore, I am wondering if there are any con...

　When I type in my own way or listen repeatedly to the pieces from around No. 28 to the last period, No. 32, I find them differently appealing compared to the earlier pieces.　There are certainly some great songs before that time, and I can feel the talent emanating from them.　But apparently, for me now, they all seem to be...