Ludwig van Beethoven- category -

　No. 25, also known as "Kakko".　It has three movements, and like No. 24, it is a beautiful little piece that brings to mind a somewhat relaxing countryside scene.　My teacher commented that I should pay attention to the notation "alla tedesca" at the beginning.　I'm not sure I understand...

Next, please listen to No. 31. This piece also took me quite a while to master. As a result, the lesson notes compiling the teacher's comments became quite substantial. They're truly a treasure to me. Now, there are two key points to listen for in ”Klagender...".

This time it's Piano Sonata No. 21 in C major, Op. 53. The famous "Waldstein," isn't it? I imagine it's one of Beethoven's piano sonatas that many people enjoy listening to. Numerous great recordings are available. But rather than from the perspective of listening, from the perspective of playing...

　　Next is No. 30 of the last three pieces.　Although I have gotten used to the piano hammering in the previous number 32, I am puzzled each time by the teacher's advanced comment that I should think carefully about "why this note is necessary here and what Beethoven intended to place it..."

　First, listen to the last piece, No. 32, from the last three piano sonatas.　Until now, I had been popping in small pieces to study MIDI.　However, a former colleague of mine, a pianist, was going to play this as the main piece in a recital, so I recklessly decided to play this piece's...