midi typing- category -

　I am currently working on number 28.　It is said to be one of the most difficult of Beethoven's 32 piano sonatas.　It was difficult to get a "well, okay" and I finally uploaded the first movement.　This piece is also going to take much longer.　...

　How about Schubert?　My teacher recommended that I type D.935, Op.142-1 from 4Impromptus.　I listened to several pianists play it while following the score.　But it took me quite a while to get to the point where I thought, "I would like to play this...

　No. 24, also known as "Therese".　It is a beautiful little piece in two movements.　I guess the four bars at the beginning are the most important.　It took me a long time to type this part.　I couldn't get "Well, it's OK" out. 　　　Title: Piano Sonata No.24 in ...

　No. 25, also known as "Kakko".　It has three movements, and like No. 24, it is a beautiful little piece that brings to mind a somewhat relaxing countryside scene.　My teacher commented that I should pay attention to the notation "alla tedesca" at the beginning.　I'm not sure I understand...

　Then listen to No. 31.　It took me a long time to get to the Finale of this piece as well.　As a result, I have a thick notebook of lesson notes with my teacher's comments.　It is truly a treasure for me.　Now, let's listen to "Klagender Gesa...

　I was quite impressed with this song that was played in the background when I saw Oliver Stone's "Platoon" a long time ago. It was apparently used at Kennedy's funeral, but that in itself was a great shock and I never noticed the funeral music that was played.　I've never been a piano...

　This time, I would like to introduce Piano Sonata No.21 in C major, Op.53.　This is the famous "Waldstein".　I think there are many people who like to listen to this piano sonata among Beethoven's piano sonatas.　There are various famous recordings of this piece.　However, I would like to introduce you to the "Waldstein" not from the viewpoint of listening, but from the viewpoint of playing...

　　Next is No. 30 of the last three pieces.　Although I have gotten used to the piano hammering in the previous number 32, I am puzzled each time by the teacher's advanced comment that I should think carefully about "why this note is necessary here and what Beethoven intended to place it..."

　First, listen to the last piece, No. 32, from the last three piano sonatas.　Until now, I had been popping in small pieces to study MIDI.　However, a former colleague of mine, a pianist, was going to play this as the main piece in a recital, so I recklessly decided to play this piece's...