Piano Sonata- category -

　We have reviewed Beethoven's Piano Sonata No. 31.　　Among the 32 piano sonatas, I think many people like this No. 31.　It is also often featured in concerts.　But it is quite a difficult piece........

　I reviewed Beethoven's Piano Sonata No. 30. 　It took me a long time, mostly because I had a hard time processing the polyphony and properly expressing Beethoven's instructions given in the score. 　First of all, polyphony... I studied counterpoint and...

　The "Hammerklavier", which is considered the greatest of all piano pieces in the world, was finally "well okay".　It took almost 7 months.　I think the only other time it took this long was when I started typing in midi.　Anyway, it took more than 40 minutes...

　I reviewed Beethoven's Piano Sonata No. 21, "Waldstein". When I typed it before, my teacher said it was high fidelity.　I was right.　I thought it lacked a bit of humanity.　I was able to get the best out of him this time....

　I reviewed Beethoven's Piano Sonata No. 23 "Passion" that I had typed before. The level of the teacher's comments on the volume balance of each movement, the balance between the right and left hands, correction of minor nuances, correction of mistouches, etc., has improved considerably since the beginning....

　This is Beethoven's Piano Sonata No. 26, "Farewell." 　This piece is related to the battle of 1809 between the French army led by Napoleon and the Austrians.　The three movements are unusually titled by Beethoven himself: the first movement, "Das Lebewohl" (Farewell), the second movement, "Die Abwes...

　No. 23, also known as "Passion".　It is said to be one of Beethoven's masterpieces of the middle period of his piano sonatas.　The range of the piano is much wider (68 keys made by Erard), and the effect of the piano is said to have been used very well in the composition.　However, the octave "Do" in the third movement 310, bar 312, and the third...

　Finally, we got to the point where number 28 was "just fine". This time it took me more than 7 months.　The recital was postponed for a year due to the Corona earthquake, so I was able to take my time and have a lot of lessons during that time.　Next...

　I reviewed the areas of concern in #31.　The main points are the correction of the legato part and the dina mique.　I think the most important point is whether the third movement is well drawn or not.　It's the interaction between the two "Klagender Gesang" and the fugue...

　I made some changes to #32, which had been bothering me for some time.　　The focus this time was on the balance of volume and minor corrections to tempo articulation.　The following is a comment I received from a teacher who was giving me lessons through audio files. 　For example, I would have...