Beethoven Piano Sonata No. 29, “Hammerklavier” (Beethoven’s Metronome Tempo)
Now that I’ve finished revising *Hammerklavier*, an unexpected new challenge has arisen. It all started when my […]
Digital Classical Music – Blog
Beethoven Piano Sonata No. 29, “Hammerklavier” (Revised)
I’ve finally finished reviewing No. 29 [1]. I think it took about six months. During that time, I made various revisions. In […]
Can AI evaluate classical music performance ?
A test with ChatGPT
From AI that reads scores to AI that reads performances The relationship between music and AI has recently become a hot topic in various ways [...].
How Far Can a Score Become Music?
Between Generation and Judgment — What Makes Music (Part 5 Final Part)
Series: Part 1 | Part 2 | Part 3 [...].
How Far Can a Score Become Music?
Beyond Playback —
Melisma and the Possibility of Generation (Part 4)
What Lies Beyond NotePerformer — Melisma and the Possibility of Music Generation
How Far Can a Score Become Music?
The Limits of Playback and What Makes Music (Part 3)
NotePerformer vs Other String Libraries — What Is the Difference?
How Far Can a Score Become Music?
Understanding Time — The Role of Lookahead (Part 2)
The Intelligence of NotePerformer — Is Lookahead AI?
How Far Can a Score Become Music?
Playback as Interpretation — Score-Based Rendering (Part 1)
What is NotePerformer?
Revisiting Beethoven’s Piano Sonata No. 29 “Hammerklavier”
I have finally started to review number 29. It is often said to be the greatest piano piece in the world or the most difficult, and various [...].
Features of SWAM and SCES (Part 3): Differences in Approach between Physical Modeling and Sample Modeling
Introduction Audio Modering's SWAM Solo Strings (S[...]