Beethoven String Quartet No. 13-5 “Cavatina” (Revised)
I had previously recorded *Cavatina* [1], but this time I used the new reverb in Vienna MIR 3D […]
Digital Classical Music – Blog
Beethoven String Quartet No. 15 – Third Movement
I’ve finally finished the third movement of Beethoven’s String Quartet No. 15, which I’ve been working on bit by bit. In the meantime, I’ve recently started […]
Beethoven String Quartet No. 15, Third Movement – Recreating That Beautiful Non-Vibrato Sound with MIDI
This time, while entering the iconic non-vibrato passage that appears at the beginning of the third movement of Beethoven's String Quartet No. 15, […]
Beethoven Piano Sonata No. 29, “Hammerklavier” (Beethoven’s Metronome Tempo)
I'm entering the notes at a tempo of 138 per half note, as specified by Beethoven.
Beethoven Piano Sonata No. 29, “Hammerklavier” (Revised)
I'm entering the notes at a tempo of around 100 per half note.
Can AI evaluate classical music performance ?
A test with ChatGPT
From AI that reads scores to AI that reads performances The relationship between music and AI has recently become a hot topic in various ways [...].
How Far Can a Score Become Music?
Between Generation and Judgment — What Makes Music (Part 5 Final Part)
Series: Part 1 | Part 2 | Part 3 [...].
How Far Can a Score Become Music?
Beyond Playback —
Melisma and the Possibility of Generation (Part 4)
What Lies Beyond NotePerformer — Melisma and the Possibility of Music Generation
How Far Can a Score Become Music?
The Limits of Playback and What Makes Music (Part 3)
NotePerformer vs Other String Libraries — What Is the Difference?
How Far Can a Score Become Music?
Understanding Time — The Role of Lookahead (Part 2)
The Intelligence of NotePerformer — Is Lookahead AI?