Beethoven String Quartet No. 13, No. 5, “Cavatina” (Revised 2)
Using the Vienna MIR Pro 3D settings (MIR2) discussed in the previous article [1], I reviewed the entire performance […]
Digital Classical Music – Blog
Creating a String Quartet with Vienna MIR Pro 3D
—From “A Gentle Breeze Blowing Across the Meadow” to an Ensemble of Four Strings in Tension— Previously, Beethoven’s String Quartet No. 13 […]
Back to Beethoven’s Last Three Piano Sonatas
As originally planned, I have reviewed the piano sonatas I have composed so far, up to No. 32, and organized them as follows: “Digital […]
Beethoven String Quartet No. 13, No. 5, “Cavatina” (Revised 1)
I had previously recorded *Cavatina* [1], but this time I used the new reverb in Vienna MIR 3D […]
Beethoven String Quartet No. 15 – Third Movement
I’ve finally finished the third movement of Beethoven’s String Quartet No. 15, which I’ve been working on bit by bit. In the meantime, I’ve recently started […]
Beethoven String Quartet No. 15, Third Movement – Recreating That Beautiful Non-Vibrato Sound with MIDI
This time, while entering the iconic non-vibrato passage that appears at the beginning of the third movement of Beethoven's String Quartet No. 15, […]
Beethoven Piano Sonata No. 29, “Hammerklavier” (Beethoven’s Metronome Tempo)
I'm entering the notes at a tempo of 138 per half note, as specified by Beethoven.
Beethoven Piano Sonata No. 29, “Hammerklavier” (Revised)
I'm entering the notes at a tempo of around 100 per half note.
Can AI evaluate classical music performance ?
A test with ChatGPT
From AI that reads scores to AI that reads performances The relationship between music and AI has recently become a hot topic in various ways [...].
How Far Can a Score Become Music?
Between Generation and Judgment — What Makes Music (Part 5 Final Part)
Series: Part 1 | Part 2 | Part 3 [...].