Beethoven's Piano Sonata No. 30.reviewI was very pleased with the results.
It took a lot of time, mostly because of the polyphonic treatment and the difficulty in properly representing Beethoven's instructions as given in the score.
I had never studied counterpoint, so at first, I typed in two tracks, one for the right hand and one for the left hand, and thought that was about right. When I think about it now, I think that at best I was able to play along with the score. However, when I was typing the most recent 29th, I was lost as to where each voice part ended up. So, with my teacher's suggestion, I decided to proceed by properly separating the voice parts. In No. 29, I was still chasing after the voices, but in No. 30, the melody of each voice part was different, and it became a challenge to put them all together while listening to them in my head. This part was quite difficult. The pianist plays each voice part (in this case, four tracks) with two hands, so I was surprised at his technical and musical ability. Perhaps it is because he has acquired the ability to imagine the role of each voice part and put it together properly through lessons such as Bach's Inventions since he was a small child. Even when I listen to a piece of music without knowing it, I can tell that there is a technical support behind the work that makes it sound well put together. In DTM, I let the PC do the piano playing, so there is no problem, but it took me a long time to harmonize these vocal parts.
Also, I had a lot of trial-and-error with Beethoven's expression, especially the two "adagio espressivos" in the first movement, because I thought they were monotonous and tasteless. This time, I had to think a lot about the role of each note.
Well,Original versionHow about the music, which seems to have tightened up considerably compared to the
Title: Piano Sonata No. 30 in E major Op.10
Sound Source: Vienna Synchron Concert D-274
Audio file format: mp3 (if you want to listen directly on your PC)reference(Please)
YouTube:.Piano Sonata No.30
Well, next up is a review of #31. I guess the "Lamentations" and the fugue are the devil's advocate.