Beethoven's Piano Sonata No. 29
I started studying, thinking it was about time to aim for No. 29 (”Hammerklavier”) [...]
I started studying, thinking it was about time to aim for No. 29 (”Hammerklavier”) [...]
From No. 28 to the final No. 32, I've poured myself into them and listened repeatedly, and compared to the earlier pieces, they possess a different charm [...]
Finally, we got to the point where number 28 was "just fine". This time it took a whopping 7+ months. [...].
I reviewed the areas of concern in #31. The key points are the correction of the legato part and the dinamique. ... but the second [...].
Computers have internal circuits that convert digital signals to analog signals for output (digital-to-analog conversion). Normally, these circuits [...]
I made some adjustments to the part I'd been concerned about, No. 32. The focus this time was on the balance of volume and the finer details of tempo and articulation [...]
I typed the second movement. I finally got to this point. Long way to go! The problem will be the next third movement. [...].
I am currently working on number 28. It is said to be one of the most difficult of Beethoven's 32 piano sonatas [...].
How about Schubert? My teacher recommended the 4 Impromptus, D.935, Op.142—[…]
No. 24, also known as "Therese". It is a beautiful little piece in two movements. I guess the four bars at the beginning are the most important. This [...].