Creation Notes- category -

　I asked the teacher to listen to the audio file of all the movements of No. 29 that I had typed. 　The teacher commented, "As for the order in which to begin, I think it is best to go in the order of difficulty in embodying the structure of the piece: third, fourth, first, and second.　The third movement is the most difficult. And if you can't do that, the 3rd...

　This song also took a lot of time to type.　It took less than 30 minutes to create the sound of the cello and the piano when they were played together, so I guess that's about right for a piece that takes less than 30 minutes.　 　The most difficult part was the second movement, the scherzo.　It is in three beats, but I had to tie the third beat to the first beat of the next...

　I am currently working on Beethoven's Cello Sonata No. 3.　Since I have already typed Kreutzer, I decided to work on a cello version of Kreutzer's Sonata No. 3.　　　This piece is said to be a revolutionary cello sonata.　Kreutzer is a bi...

　A copyright infringement warning was issued for Beethoven's Piano Sonata No. 21, which I posted on YouTube earlier. (see below) This is the third time.　Each time, I have filed an objection and had the warning lifted.　This time, too, the warning was issued on the grounds that the music was "typed by midi editor using a DAW...

I revisited Beethoven's Piano Sonata No. 21, "Waldstein." When I transcribed it before, my teacher said it was high fidelity. That's right. I did feel it lacked a bit of human warmth... This time, relying on my teacher's strict comments, I...

　I have finished checking the midi files for all the movements of "Hammerklavier," which I have newly started working on.　I'm almost done with correcting the mis-touches and the sound movement, so now it's time to start working on the music. 　While checking the notes one by one, I thought...

I revisited my previous recording of Beethoven's Piano Sonata No. 23, "Appassionata." The level of feedback from my instructor has significantly increased compared to before—covering aspects like the volume balance between movements, the balance between right and left hands, adjustments to subtle nuances, and corrections for mistakes.

　This is Beethoven's Violin Sonata No. 9, Kreutzer, all movements.　 　I uploaded the first movement before, and when I finished the second and third movements, I reviewed this movement as well.　I've learned a little bit about the habits of the violin solo sound source I'm using, so I re-examined my previous typing...

　This is Beethoven's Piano Sonata No. 26, "Farewell." 　This piece is related to the battle of 1809 between the French army led by Napoleon and the Austrians.　The three movements are unusually titled by Beethoven himself: the first movement, "Das Lebewohl" (Farewell), the second movement, "Die Abwes...

　This is the first movement of Beethoven's Violin Sonata No. 9, the so-called "Kreutzer". 　It was composed around the same time as the piano sonata masterpiece "Waldstein" was composed.　This piece is said to be the masterpiece of the violin sonata, but it was composed at the same time as the piano and ba...