Chibanoinkyo– Author –

　When I type in my own way or listen repeatedly to the pieces from around No. 28 to the last period, No. 32, I find them differently appealing compared to the earlier pieces.　There are certainly some great songs before that time, and I can feel the talent emanating from them.　But apparently, for me now, they all seem to be...

　Finally, we got to the point where number 28 was "just fine". This time it took me more than 7 months.　The recital was postponed for a year due to the Corona earthquake, so I was able to take my time and have a lot of lessons during that time.　Next...

　I reviewed the areas of concern in #31.　The main points are the correction of the legato part and the dina mique.　I think the most important point is whether the third movement is well drawn or not.　It's the interaction between the two "Klagender Gesang" and the fugue...

Computers have internal circuits that convert digital signals into analog signals for output (DA conversion). Normally, you listen to the audio converted by this circuit through the built-in speakers or earphones/headphones. Therefore, differences in sound quality stem from that circuit and the built-in speakers...

　I made some changes to #32, which had been bothering me for some time.　　The focus this time was on the balance of volume and minor corrections to tempo articulation.　The following is a comment I received from a teacher who was giving me lessons through audio files. 　For example, I would have...

I’ve sequenced the second movement. I’ve finally made it this far, but there’s still a long way to go! The real challenge will be the third movement. Still, it amazes me how Beethoven was able to compose such a magnificent piece despite having completely lost his hearing. I can’t begin to imagine what was going on in his mind.

　I am currently working on number 28.　It is said to be one of the most difficult of Beethoven's 32 piano sonatas.　It was difficult to get a "well, okay" and I finally uploaded the first movement.　This piece is also going to take much longer.　...

　How about Schubert?　My teacher recommended that I type D.935, Op.142-1 from 4Impromptus.　I listened to several pianists play it while following the score.　But it took me quite a while to get to the point where I thought, "I would like to play this...

　No. 24, commonly known as "Thérèse." A beautiful little piece in two movements. The opening four measures are probably the most crucial part. It took me quite a while to get this section right. I just couldn't bring myself to say "Well, that'll do." Title: Piano Sonata No. 24 in C minor, Op. 73, No. 2.

　No. 25, also known as "Kakko".　It has three movements, and like No. 24, it is a beautiful little piece that brings to mind a somewhat relaxing countryside scene.　My teacher commented that I should pay attention to the notation "alla tedesca" at the beginning.　I'm not sure I understand...