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How Far Can a Score Become Music?
Between Generation and Judgment — What Makes Music (Part 5 Final Part) blog post
Series: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 (This article, the last part) Limitations of Current Generation As we have seen, NotePerformer [1] has an excellent mechanism for reading scores and reconstructing them as stable music. On the other hand, Mel... -
How Far Can a Score Become Music?
Beyond Playback — Melisma and the Possibility of Generation (Part 4) blog post
What Lies Beyond NotePerformer — Melisma and the Possibility of Music Generation -
How Far Can a Score Become Music?
The Limits of Playback and What Makes Music (Part 3) blog post
NotePerformer vs Other String Libraries — What Is the Difference? -
How Far Can a Score Become Music?
Understanding Time — The Role of Lookahead (Part 2) blog post
The Intelligence of NotePerformer — Is Lookahead AI? -
How Far Can a Score Become Music?
Playback as Interpretation — Score-Based Rendering (Part 1) blog post
What is NotePerformer? -
Revisiting Beethoven’s Piano Sonata No. 29 “Hammerklavier”
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Finally, we have started to review No. 29. It is often said to be the greatest piano piece in the world or the most difficult, and various explanations abound. It is true that there are many parts that are difficult to understand how to play on a live piano. It is often said that it is the most difficult piece of piano music in the world and that it is the most difficult. -
Features of SWAM and SCES (Part 3): Differences in Approach between Physical Modeling and Sample Modeling
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Introduction While Audio Modering's SWAM Solo Strings (SWAM) and Samplemodering's Solo, Chamber & Ensemble Strings (SCES), both commonly used string instruments, have a high degree of perfection, they are fundamentally different in the way they are created and handled. The two are both highly accomplished, but they have fundamentally different philosophies on how sounds are made and handled... -
The Effect of IR in the Physical Modeling String Instrument SWAM (v3.10) and a Comparison with SCES
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I compared the effect of IR, which is newly introduced in SWAM Solo Strings, by actually sounding the cello. The subject is the first part of Saint-Saens "The Swan". DAW: Cubase Pro 11 (FX not used) - Sound Source: Audio Modeling SWAM Solo ... -
New Year's Day, 2026
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Happy New Year. May this year be a peaceful one. Last year, I overhauled the site. Previously, I added articles sequentially via blog posts, but now I've set up a main page with several indexes. I think it's become a bit easier to navigate. 1. Beethoven's... -
Two Great Pianists and Their Lessons
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Shif's Lecture Recitals (Wigmore Hall, 2004-2006)
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