Ludwig van Beethoven- category -

　This song also took a lot of time to type.　It took less than 30 minutes to create the sound of the cello and the piano when they were played together, so I guess that's about right for a piece that takes less than 30 minutes.　 　The most difficult part was the second movement, the scherzo.　It is in three beats, but I had to tie the third beat to the first beat of the next...

I revisited Beethoven's Piano Sonata No. 21, "Waldstein." When I transcribed it before, my teacher said it was high fidelity. That's right. I did feel it lacked a bit of human warmth... This time, relying on my teacher's strict comments, I...

I revisited my previous recording of Beethoven's Piano Sonata No. 23, "Appassionata." The level of feedback from my instructor has significantly increased compared to before—covering aspects like the volume balance between movements, the balance between right and left hands, adjustments to subtle nuances, and corrections for mistakes.

　This is Beethoven's Violin Sonata No. 9, Kreutzer, all movements.　 　I uploaded the first movement before, and when I finished the second and third movements, I reviewed this movement as well.　I've learned a little bit about the habits of the violin solo sound source I'm using, so I re-examined my previous typing...

　This is Beethoven's Piano Sonata No. 26, "Farewell." 　This piece is related to the battle of 1809 between the French army led by Napoleon and the Austrians.　The three movements are unusually titled by Beethoven himself: the first movement, "Das Lebewohl" (Farewell), the second movement, "Die Abwes...

　This is the first movement of Beethoven's Violin Sonata No. 9, the so-called "Kreutzer". 　It was composed around the same time as the piano sonata masterpiece "Waldstein" was composed.　This piece is said to be the masterpiece of the violin sonata, but it was composed at the same time as the piano and ba...

　No. 23, also known as "Passion".　It is said to be one of Beethoven's masterpieces of the middle period of his piano sonatas.　The range of the piano is much wider (68 keys made by Erard), and the effect of the piano is said to have been used very well in the composition.　However, the octave "Do" in the third movement 310, bar 312, and the third...

　Finally, we got to the point where number 28 was "just fine". This time it took me more than 7 months.　The recital was postponed for a year due to the Corona earthquake, so I was able to take my time and have a lot of lessons during that time.　Next...

　I reviewed the areas of concern in #31.　The main points are the correction of the legato part and the dina mique.　I think the most important point is whether the third movement is well drawn or not.　It's the interaction between the two "Klagender Gesang" and the fugue...

　I made some changes to #32, which had been bothering me for some time.　　The focus this time was on the balance of volume and minor corrections to tempo articulation.　The following is a comment I received from a teacher who was giving me lessons through audio files. 　For example, I would have...