String Quartet- category -

I previously recorded *Cavatina* [1], but this time I replaced the reverb with Vienna MIR 3D, which I recently acquired. The three-dimensionality of the soundstage has changed significantly compared to before, and I think it sounds much better. [1[: Cavatina—I don’t know if you’re familiar with it, but actually, this *Cav...*.

I’ve finally finished the third movement of Beethoven’s String Quartet No. 15, which I’ve been working on bit by bit. It took quite a while because, during that time, I was experimenting with how to use the Vienna MIR 3D convolution reverb—a new tool I’d recently added to my setup—as I worked on it. Until now, I’ve been using...

While entering the iconic non-vibrato passage that appears at the beginning of the third movement of Beethoven’s String Quartet No. 15, something really bothered me. When sustaining this long chord, I couldn’t quite achieve the natural resonance you’d hear from an actual string quartet, and there was a faint “hum...”.

　The cabatina was finally finished.　The maestro's playing instructions were quite detailed and it was difficult to balance each string.　Especially, I heard that it is Beethoven's 18th piece, and there are several instructions of cresc.+p. Normally, when you cresc. the next volume should be stronger....　Normally, when you cresc., the next volume should be stronger...